Ebook Notes from a Dead House (Vintage Classics)
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Notes from a Dead House (Vintage Classics)
Ebook Notes from a Dead House (Vintage Classics)
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Review
“A master of psychological portraiture. . . . A testament to the power of the human will, the way it can marshal patience and imagination and hope.” —The New Criterion "Excellent. . . . Dostoevsky's constant preoccupation is the meaning of human freedom and the prisoners' preservation of their dignity." —Harper's Magazine "One of the most harrowingly universal books Dostoevsky ever wrote. . . . It's cause for no small celebration that the extraordinary series of translations by Pevear and Volokhonsky has now seized on Notes from The House of the Dead." —The Buffalo News"The appearance of any new translation by Richard Pevear and Larissa Volokhonsky is always an event in a literary season. . . . [A] powerful new translation." —Open Letters Monthly"One of literature's definitive prison memoirs. . . . A classic made current and a welcome addition to the library of Russian literature in translation." —Kirkus Reviews "Dostoevsky unflinchingly describes the dehumanization of prison, such as the way fetters were not even lifted from the dying, but also conveys how the flame of humanity survives even under such conditions, allowing cleverness and compassion to endure. This new translation is eminently readable." —Publishers Weekly
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About the Author
Fyodor Mikhailovich Dostoevsky (1821–1881) is best known for the series of novels he wrote in the last twenty years of his life—Notes from Underground, Crime and Punishment, The Idiot, Demons, The Adolescent, and The Brothers Karamazov—which made him one of the major figures of Western literature. These works were all nourished by and partly foreshadowed in Notes from a Dead House (1862), the author’s semifictional account of his own experiences as a political prisoner in Siberia from 1850 to 1854.Together, Richard Pevear and Larissa Volokhonsky have translated works by Tolstoy, Dostoevsky, Chekhov, Gogol, Bulgakov, and Pasternak. They were twice awarded the PEN/Book-of-the-Month Club Translation Prize (for their versions of Dostoevsky’s The Brothers Karamazov and Tolstoy’s Anna Karenina), and their translation of Dostoevsky’s Demons was one of three nominees for the same prize. They are married and live in France.
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Product details
Series: Vintage Classics
Paperback: 336 pages
Publisher: Vintage; Translation edition (March 22, 2016)
Language: English
ISBN-10: 9780307949875
ISBN-13: 978-0307949875
ASIN: 0307949877
Product Dimensions:
5.2 x 0.7 x 8 inches
Shipping Weight: 8.8 ounces (View shipping rates and policies)
Average Customer Review:
4.2 out of 5 stars
20 customer reviews
Amazon Best Sellers Rank:
#61,347 in Books (See Top 100 in Books)
Another excellent translation by Richard Pevear and Larissa Volokhonsky. If you've read other translations of this book---mis-titled in earlier versions---you will feel you are reading it for the first time. Notes from a Dead House, in this translation, is also a good introduction for readers just getting into Dostoevsky, because it raises so many of the ethical and moral concerns in his later books, though only in outline here. We're fortunate to have the many fresh translations that Richard Pevear and Larissa Volokhonsky have produced; any of them will make you want to read all of Dostoevsky, or reread him again as if for the first time.
I have been reading Dostoyevsky for 20 years. Dostoyevsky's writing changed dramatically by his prison camp experience. It took on meaning that his earlier works did not have. Therefore reading this work has it's importance regarding what shaped the Dostoevsky of novels like "The Brothers Karmazov". Suffering brings clarity to what life means when it's stripped of pride, self reliance, and selfishness. You see although he didn't state it in the work, through his suffering Dostoyevsky discovered the nature of God, Christ, and himself. That clearly comes through his later works.
This novel has a few moments of important and well stated insight to the human condition but overall its dry delivery left me unimpressed. The Gulag Archipelago is more insightful for prison life.
My love for the writing of Fyodor Dostoevsky has been passed down to the next two generations. It is no accident that one of my grandson's bears the middle name of Fyodor! The author's memoir about prison life - thinly disguised as a novel, has undergone a stunning and beautiful new translation at the hands of the gifted husband and wife team of Richard Pevear and Larissa Volokhonsky.Dostoevsky was initially sentenced to die by firing squad for his involvement in a Utopian socialist discussion group. The CTsar commuted his sentence to four years in Siberia. This book, "Notes From A Dead House" represents Dosoevsky's memories of those years, smuggled out of the prison in bits and pieces.Most striking in this narrative is the transformation that the aristocratic protagonist undergoes as he begins to recognize the common humanity that he shares with many of the prisoners - even with the least likable among them. The language in this marvelous translation is rich and evocative. The characters we meet are memorable and idiosyncratic, in many cases giving hints at future fictional characters like Raskolnikov and members of the Karamazov family.For any fan of Dostoevsky's remarkable oeuvre, this book is a welcome addition to your library.
Amazing book. I I thoroughly enjoyed this novel. I couldn't put it down! Highly recommend.
It’s too bad the physical book was so damaged when I got it. The pages weren’t cut evenly and the front cover had a massive crease on it I couldn’t manage. I read it anyways though - great book but buy it from someone else
Super book...very dark
Having read Dostoevsky's other major works, it is a revelation to read Notes from A Dead House. All the themes for which he was later known, sin and humanity, violence and redemption, can be traced to this singular experience that transformed Dostoevsky's vision of the world. Though the book is a fictional account, it is based on Dostoevsky's four years in exile. And that personal connection comes through on every page. Perhaps in no other work of his storied career is his psychological analysis more honest and immediate as it is here. The book also serves as a stunning reminder of the power of the individual; his capacity for change, his capacity for empathy, ultimately transcend the bondage of institution. At a time when we are focused so much on changing institutions, reading this book may just provide some much needed perspective.
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