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The Warner Loughlin Technique: An Acting Revolution, by Warner Loughlin

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Review

"I was able to find my voice, and to find tears and to find levels, because I was able to have a safe place to go, that I could come back from. With your technique, in character prep, when I visit a character's life, her past and create an event good or tragic - that belongs to her. I don't take ownership of that pain with me. I don't take it on as my own...So this allows me not to be scared to go there, which allows me freedom as an actress to do anything, because I don't own it. It belongs to my character."-Amy Adams"Working with Warner was a revelation. I doubted that I could ever work without "observing" and judging every moment. I will be forever grateful [to Warner] for helping me get back to the joy of living in the spontaneous truth of every scene."-Kyra Sedgwick"I've been working with Warner Loughlin for years. Not only has she helped me become a better actor, but she's also helped me truly enjoy this work in ways I never imagined."-Ryan Reynolds"Before I started working with Warner on the technique, I felt like acting was just something that I could some days do, and some days not do. It was only through doing deep emotion with detail on each of the characters I got, that I could act everyday how I wanted to, because I ended up knowing the character inside and out. The thoughts are no longer my own, but the characters', so I don't have to work as hard during the scenes. Now being on set and being the character is fun and never feels pushed. I love the technique and it has helped me immensely." -Sosie Bacon"I met Warner over 10 years ago. She has coached me through comedy, drama, and even life! She has not only given me tools to be better at my job, but tools to be 100% confident through the process."-Emma Roberts"Warner's Technique has become part of my creative process... It's simply the most intuitive way for me to find a character's base human emotion. Warner worked with us on Disney's Frozen for many months and helped us create truthful characters... I've never felt so comfortable animating a character before and I think the sophistication in the performance in the film speaks for itself." -Lino DiSalvo, Head of Animation for Disney's Frozen

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Product details

Paperback: 288 pages

Publisher: Howland Tilley Press (August 31, 2018)

Language: English

ISBN-10: 0999527002

ISBN-13: 978-0999527009

Product Dimensions:

6 x 0.6 x 9 inches

Shipping Weight: 15 ounces (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

13 customer reviews

Amazon Best Sellers Rank:

#31,971 in Books (See Top 100 in Books)

I just finished reading this book and I love it. If you’ve read Susan Batson’s book, you’ll find that it shares the basic core, which is working from ‘The Need.’ However, as Warner points out, if you work from your own ‘Need,’ you’ll never really be the character, but rather, another version of yourself. BRAVO!You’ll learn how to create such a powerful backstory by looking for personality patterns, among many others, that will connect you to your character in such a way that you will simply click with the lines, the character, and all other aspects that acting requires.I highly recommend this book. And, NO, I’m not affiliated with the author in any way, shape, or form.About me: I’m a full-time actor living in Los Angeles. I’ve been acting for 35 years. I’m currently working on a show called, “The Last Legacy” and will be working on another one called, “Hotel Scarface’ due next year.

Wow, Real Insights. The shortest chapter in the book, Base Human Emotion, is worth the purchase price. Useful on many levels.

Great reference for aspiring actors

Let's not get crazy. The book is fine. But is it the promised revolution? No. What is the technique? A clear, commonsense reading of given circumstances that the actor then extrapolates into imagined memories that help create and justify a pattern of behavior through the use of a "Base Human Emotion." While the book poo-poos the use of objective in the very first pages, the "Base Human Emotion" is no more or less than a simple objective, i.e. "the need for order" or "the need to be seen" or "the fear of conflict" which translated to need is "the need for peace."This all leads to the creation of a detailed, imagined memory that justifies the Base Human Emotion. But this isn't revolutionary. Lawrence Parke wrote extensively about this in his acting book in the 70's, and called it a "Neurosis Provoking Moment." And he got it from Vaktanghov. So - nothing new or revolutionary. Sorry.So, if you want another take on how excavation of given circumstances can lead an actor an imaginative implication with the text and the role, go for it. This book is a fair account of one kind of process. But if you're looking for the technique that will change how acting is taught for "generation to come!!!!!!!!!" Well... not quite.

I bought two of these wonderful books because as a director I have worked with many of Warners' students and have been so impressed by their acting ability, being able to get to the place and emotion that I need them to get to, and their professionalism, that I wanted one to keep on hand and one to give out to promising young actors that I run across.

An Entertaining book, that’s helpful and informative

This isn't just for actors (although I can only imagine that it would help a bunch). This is for anybody who has to go out and do something publicly - music artists (Luke Bryan, anyone?!), politicians (she doesn't kiss and tell, so we don't specifically who) and blockbuster Oscar winners (Ryan Reynolds, Amy Adams, Zooey Deschanel, etc.! The screen writers and those behind Disney Animation lean on her and her technique as well to create realistic characters. What a relief to understand if you "do your homework" as a performer, the passion need you will be there...no going back to your worst memories to find tears and angst for a closeup shot. Loved that she came to Nashville and did an event at Parnassus Books! She's as accessible in person as her book is. I found this very helpful and will take tips away for my own public appearances.

Thank you first of all to NetGalley and Howard Tilley for letting me peruse this wonderful new addition to my acting technique books. I am always in the market for good, really good, books on acting techniques. This is perfect for my theatre students. They will revel in the direction this book takes them in. It's short in length but to the point! I love the first important sentence, and I am quoting..".. Where is it written to be a gifted actor, you must be filled with rage or pain or strife." I fell in love with the author from here to the end. How heathy and fresh is this thinking!!! This book teaches one how to act like not and not become as well as learning how to get out of one's way. BRAVO to Warner Loughlin!!! FINALLY, a really really really fantastic book for actors and acting students!!!! I can't wait to order lots!!!

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Free Download The Spy Who Came in from the Cold: A George Smiley Novel, Book 3

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Audible Audiobook

Listening Length: 7 hours

Program Type: Audiobook

Version: Unabridged

Publisher: Penguin Audio

Audible.com Release Date: March 21, 2012

Whispersync for Voice: Ready

Language: English, English

ASIN: B007N6GJ3G

Amazon Best Sellers Rank:

“The Spy Who Came in From the Cold” is a bitter and angry novel about Cold War spies that refuses adamantly to glorify or glamorize their activities and that digs beneath the patriotic ideologies in the name of which secret agents act to uncover the morally troubling effects their plots have on real people.It begins with a scene of maximum tension at the Berlin Wall. Alec Leamas, a British agent responsible for a network of spies in East Germany who are being rounded up, is waiting in a checkpoint in West Berlin, hoping that the last of his agents will be able to escape. After that agent gets shot down before his eyes just before crossing the border, Leamas retreats to London in a fog of bitter disillusionment.The rest of the novel narrates an increasingly complex plot hatched by the Circus, the British spy agency Leamas works for, to recover from the elimination of their spy network by getting back at the German spymaster responsible - Mundt.The plot begins with Leamas acting the part of a disgruntled agent, shortchanged for his service to his country and vulnerable to defection. He is contacted by agents for East Germany and agrees to supply them with information, but not before he takes a job in a library where he meets and becomes lovers with Liz Gold, a character who will come to represent the innocent bystanders who get pulled into the world of morally questionable espionage with tragic results.Almost everything that happens in this novel is morally questionable on both sides and that is what provides a good bit of the intellectual stimulation of the book. John Le Carre always keeps the big picture ideology within the frame of the story by having his characters invoke Communist ideology alongside ideas of Democracy. Without going too deeply into political science, politics is always a reasonable topic of conversation here whether it’s pillow talk between Alec and Liz or a discussion of their greater mission between Alec and his Communist counterparts.But Le Carre’s focus is always on real people and he loves to explore the way that the idealism of the East and the West get twisted and distorted in their effects on both those spies who must compete aggressively for their “side” as well as the innocent people who are just doing their jobs. At one point Alec refers to this as “turning the plan into people,” in other words, to achieve some results in intelligence work, agents must be used and people will die and these deaths flatly contradict the western democracies’ ideological support for the freedom of the individual.These moral concerns fit neatly into a novel which is full of betrayals and double-crossings. The way information is doled out as the plot unfolds changes the way you see the characters and what you make of their motives but it all circles back to the Berlin Wall and an ending which parallels the opening.Leamas’s bitterness proves to be wholly justified, but his downfall is brought about by his inexplicable hunger for “operational life.” His embittered attitude is perhaps most directed at his own profession, one to which he is drawn like a magnet. Of spying he has this to say: “What do you think spies are: priests, saints and martyrs? They’re a squalid procession of vain fools, traitors too, yes; pansies, sadists and drunkards, people who play cowboys and Indians to brighten their rotten lives.” It’s a great diatribe which encapsulates the mood, the atmosphere, the tensions, and the overriding philosophy of this novel.Coming in from the cold has many meanings here. Leamas comes in from the cold when his East German network gets wrapped up and he flies back to London, he comes in from the cold when he leaves the Circus to work at the library as a discarded alcoholic former spy, he comes in from the cold when he agrees to sell information to the East Germans, and finally he comes in from the cold when he ends up back at the Berlin Wall in the final scene. With shifty characters, a torturous plot, and a warm core of humane sympathy this novel is an entertaining and philosophical spy novel for the thinking reader.

Although I have read many of the spy stories written about the era of the Cold War, John le Carre was not among the well-known authors in my library. This book once again crossed my path, and this time I decided to purchase it. It is easy to see why it was acclaimed when it was published in 1963, and the taut storytelling makes one wish for more writers to emerge from the same mold.Lovers of spy stories should be warned that this is not the fantastic world of James Bond nor the incredible action tale of a Jason Bourne. Mr. le Carre's novel is dark and moody, and takes the time to allow readers to thoroughly absorb each scene. Although it is not a 300 or 400 page book, it is not a book to be read quickly or skimmed. If you do, you will miss out on key elements of the story and the ending will have a different impact for you.The last part of the book picks up the pace, and the twists and turns are unexpected, jarring, yet totally believable. The last chapter of the book is not your typical ending, yet it encapsulates the mood of the entire story. Not to be missed is the "Fifty Years Later" section, an introduction to the book written by the author for the 50th anniversary of the initial publication. It is amazing that the novel many folks feel is the ultimate spy story was viewed by Mr. le Carre as just the opposite. Sorry, no spoilers here...it is an interesting addition to the book, and I encourage everyone to read that before beginning the book. Five stars.

The classic spy novel that allowed John le Carre to write full time for the rest of his life does not disappoint. From start to finish it engaged my attention. Having read in the blurbs where Malcolm Gladwell said he had read it every five years from the age of fifteen and that it was only at the third reading that he really understood it, I was keen to grasp the outcome fully and believe I did. The well communicated atmosphere of the Cold War and the time shortly after the Berlin Wall had segregated East and West Berlin acts as the darkly oppressive scene setting. Although, George Smiley, the main character of le Carre's several later novels is only briefly revealed, Alec Leamas fills this tome with his world-weariness and brief hope and joy in the face of a duplicitous secret service that hints of the sort of world we were and are now very much aware of living in where multitudes of shades of grey exist and expediency and deeper, darker motives drive governments and their ever more secret intelligence arms: with a hellish or purgatory-like atmosphere. People remark that le Carre will be widely read in future generations. I can well believe it. Superbly written and a great introduction to the le Carre world we are seeing more and more of in film and television including the recent gripping "The Night Manager"

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Get Free Ebook 26x2 Intricate Coloring Pages with the American Sign Language Alphabet: ASL Manual Alphabet Coloring Book (Sign Language Alphabet Coloring Books) (Volume 1), by FingerAlphabet.org Lassal

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Product details

Series: Sign Language Alphabet Coloring Books (Book 1)

Paperback: 111 pages

Publisher: LegendaryMedia Publishing (July 15, 2018)

Language: English

ISBN-10: 3864690404

ISBN-13: 978-3864690402

Product Dimensions:

8.5 x 0.2 x 8.5 inches

Shipping Weight: 9.9 ounces (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

4 customer reviews

Amazon Best Sellers Rank:

#597,493 in Books (See Top 100 in Books)

To start off, I love the coloring book. It's great for both adults and children. The one thing I was disappointed about, was the 26 x 2, apperently it means you get the same design twice. I was hoping it meant 2 designs for every letter, unfortunately it's just the same page twice.

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It has beautiful pages. I gave this as a gift to a mother who has a deaf child.

Love it. My ASL students love having something to color

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PDF Ebook The Master and Margarita, by Mikhail Bulgakov Katherine Tiernan O'Connor

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Review

“One of the truly great Russian novels of [the twentieth] century.” —New York Times Book Review“The book is by turns hilarious, mysterious, contemplative, and poignant . . . A great work.” —Chicago Tribune“Bulgakov’s The Master and Margarita is a soaring, dazzling novel; an extraordinary fusion of wildly disparate elements. It is a concerto played simultaneously on the organ, the bagpipes, and a pennywhistle, while someone sets off fireworks between the players’ feet.” —New York Times “Fine, funny, imaginative . . . The Master and Margarita stands squarely in the great Gogolesque tradition of satiric narrative.” —Newsweek“A wild surrealistic romp . . . Brilliantly flamboyant and outrageous.” —Joyce Carol Oates

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Language Notes

Text: English (translation) Original Language: Russian

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Product details

Paperback: 384 pages

Publisher: Vintage (March 19, 1996)

Language: English

ISBN-10: 0679760806

ISBN-13: 978-0679760801

Product Dimensions:

5.2 x 0.8 x 8 inches

Shipping Weight: 9.6 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

888 customer reviews

Amazon Best Sellers Rank:

#21,677 in Books (See Top 100 in Books)

Before you dive into this review, know this. I'm a native Russian, and a writer, and I have just completed a feat of rereading the novel in Russian and reading first Ginsburg and then Pevear & Volokhonsky translations, back to back, to compare. And Ginsburg's translation will give you the best feeling for the language, the culture, and the story. It's the bomb. This translation left me in tatters, it didn't speak to me as Bulgakov, it even impoverished his style for me. The rating you see is for the novel itself, which is the work of art. Now, to the review itself.The first time I read The Master and Margarita in Russian, it was, out of all places, in Berlin. I was a teenager, and I lived in Berlin with my father and his new wife and my half-sister, because my father was a writer and a journalist and was sent by Soviet Union to Berlin to be the correspondent for a large Russian newspaper agency. I remember reading the book so vividly, that even today every detail is etched in my brain like a colorful photograph. The soft bright chair I sat in, with my back toward the window, the book in my lap, the pages rustling, and the image of Margarita, most importantly, of her knee, the knee that's been kissed over and over and how it turned blue. And the cat, the black cat that could talk. That's all I remember, plus the feeling of fascination I got. And now, over 20 years later, I have read it again, after becoming a writer myself 2 years ago, not knowing back in my teens that I would ever write, but being struck by the genius of Bulgakov. And, my, oh my, rereading it now I understood for the first time what the book was about. I sort of thought of it as a fairy tale back in my teens, I felt something underneath it, but couldn't get it. I got it now, and I cried, I cried for Bulgakov, for his imprisonment as a writer in the country that oppressed him to the last of his days, and I cried because he refused to be broken, and because he has written a masterpiece, and I was holding it in my hands, reliving it like so many people, many many years after he died.As to the story. It's not just one story, and not even two, it's four. A story of love, and of darkness, and of life and death. There are four narratives, the love between Master and Margarita, the strange visitors and Satan who come to Moscow, the story of Moscow life itself, the city, the people, and the story of Yeshua in the ancient walls of Yershalayim. Each has its own flavor, breathes its own air, and weaves into one book that tethers on that notion that no work of art can be destroyed, "manuscripts don't burn", says Satan, and that's Bulgakov's pain, him against the system that wanted to crush him, and didn't. He escaped. The irony of the book is that, in some sense, it's autobiographical, and that makes it even more tragic. But the satire! Oh, the satire! I don't know how many times I snorted coffee and tea out of my nose, because I have this habit of drinking hot drinks while reading, curled up on the couch. So many memories burst on the scene, so many authentic Russian quirks and habits and characters, the wealth of which I have nearly forgotten over my 16 years in US, and which dazzled my mind like fireworks, albeit of course, because I was reading it in Russian, and I'm about to start reading two translations in English, one by Mirra Ginsburg, and another by Richard Pevear and Larissa Volokhonsky. Because, if there was ever a book worth reading 5, 10, 20 times in a row, it is The Master and Margarita by Bulgakov, his last book written over the course of 10 years, and not quite completed… he narrated changes to his wife right up to his death. No matter. It is perfect. Read it.

I purchased this book because it was the only one of the 6 known translations into English which I did not have! "Master and Margarita" has been a favorite of mine for decades, one of the very few novels I have ever read more than once. For those who do not know, this is one of the many spin-offs of the Faust legend; it is a cult classic and has inspired works of music and art.Written 1928-1940, not yet completely finished at Bulgakov's death with the result that there are a few minor inconsistencies in some of the chapters of the second part. A final text was prepared in 1963 by the author's widow (being the not-completely-edited manuscript as it was when the author died), and it finally saw the light of day when published in a Russian magazine Nov. 1966 & Jan. 1967. However, that was in a censored version, with 10-15% of the text cut; uncensored versions, however, circulated in the Soviet underground. Russian versions of the complete text where published in France and Germany later in 1967. The first version published in the U.S.S.R. was prepared by Anna Saakyants in 1973, with some additions and changes, including passages Bulgakov had crossed out, but had not re-edited at the time of his death. Then, a new version by Lidiya Vanovskaya arrived in 1989 which was closer to the original 1963 typescript of the widow (eliminating certain passages added in the 1973 edition -- compliant with Bulgakov's wishes, but resulting in further inconsistencies).The sensation the original resulted in two English translations being quickly made and issued in 1967: Mira Ginsburg (considered a good translation, but from the censored text, so not complete), and Michael Glenny (of the uncensored version, but the translator appears to have taken some liberties with the text). Both these have appeared in several editions over the years, and both may still be available. Both have been praised and panned as to their accuracy by different reviewers. Not being able to read a word of Russian myself, I have had to take the word of others as to their respective accuracy. Glenny is considered to read much like Bulgakov wrote, but I have noted some passages which are too far off from those of other translators.Next was the version by translators Diana Burgin & Katherine Tiernan O"Connor (1995, based on the Vanovskaya, but also incorporating some needed passages from the 1973 edition), supposedly highly accurate and considered a far better job than the books which appeared in 1967. This was followed soon after by that of Richard Pever & Larissa Volokhonsky (1997, for Penguin, based on the 1963 typescript), also considered an accurate account. Despite much praise for the Burgin-O'Connor, I found it to be tough reading, the style just doesn't flow well for me, and I have come to question some aspects the translation. However, it does include a few added passages which Bulgakov had removed, but not yet corrected for, which make other things clearer. Of these two, I cannot say I prefer one over the other, but the Pevear-Volokhonsky appears to have better translations of certain words and a little bit better flow of the writing. Both have extensive end-notes which aid in understanding many of the literary and historical allusions. Despite the presence of better texts, Ginsburg and Glenny both read better than either of these and I find neither to be a joy.A somewhat obscure translation by a Michael Karpelson appeared in 2006 (based on the Saakyants edition, with the clarifying passages), which is now on Wordsworth Classics Master and Margarita (Wordsworth Classics). This one is certainly worth looking for as it in all ways, to me, has advantages -- choice of words, textual additions, sentence flow, etc. -- over the 4 which came before. Also has end-notes, but not as extensive as the other recent editions. It is my (present) top choice.And, then there is this one, translated by Hugh Aplin (2008, OneWorld Classics, now called Alma Classics). I am not sure which Russian version it is based on; an end-note states it is from a text approved by the Bulgakov estate (it does not observe the crossed-out material), published in 1996 and 2004; this may be based on a completely different text version entirely. I must admit, I have not yet read this cover-to-cover, but I have read sections/chapters and made comparisons with others, and this comes out very favorably and possibly reads better in some places than any of the others. One objection I have found to this version is that a number of Russian terms have been left untranslated, with no notes to explain their meaning (though, there are notes a-plenty in the back). The flow of the words is very good and provides a straight-forward reading. This translation I rate as one of the better ones.As a major fan of "The Master and Margarita", at this time I find anyone looking for an English translation of what is one of the greatest novels of the 20th Century (actually, what I consider the greatest novel of all time) should look to that of 1) Karpelson, though 2) Aplin is not far behind. Either one would do nicely if only a single translation is desired. Ginsburg could also be near the top, but her text was corrupt. Glenny is good for reading, but sort of out as a translation due to some odd liberties he took with the text. This leaves for 3) Burgin/O'Connor, then 4) Pever/Volokhonsky. However, none of these are really bad, very inaccurate, nor to be completely rejected. I now have all 6, and I'm keeping all of them.Also suggested: Another fine spoof on Soviet society -- Bulgakov's "Heart of a Dog".[later addendum to my above review: I have re-read the Burgin-O'Connor translation, and now have a greater respect for it. At least, this time, the story flow went better for me, and I was more comfortable with other aspects of it. My number one choice, however, remains Karpelson, now with Aplin and Burgin-O'Connor in a close tie for second place. Also, the Burgin-O'Connor might prove easier to find than the other two, though I am certain someone on Amazon would be able to supply. Read and enjoy.]2nd Addendum -- this one pertains to the Hugh Aplin translation here under review. I have now read it completely, and declare this translation to be excellent, perhaps even slightly preferable to the Karpelson. The reading of this is an easy-flowing joy, though one may expect to encounter some "Britishisms" that an American reader may not be familiar with. There are numerous passages which Aplin makes sharp and clear, where some of the other translations give turgid readings. Choice of words appears to be fairly literal, without creating some of the difficulties this sometimes brings about. This edition has end-notes, though not nearly as many as found in either Burgin-O'Connor or Pevear-Volokhonsky; but, also includes several photos of the author and Moscow scenes and an extensive biography of Bulgakov. A highly recommended translation, as is the Karpelson.

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Free Download The Wisdom of Insecurity: A Message for an Age of Anxiety

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The Wisdom of Insecurity: A Message for an Age of Anxiety

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Review

“Reading Alan Watts challenges us to explore new avenues of thinking, inspires us to lead more fulfilling lives. His legacy lives on in The Wisdom of Insecurity, a work that energetically displays Watts’s piercing intellect, razor-sharp wit, and winning grace. For the clarity and wisdom with which it engages timeless concerns crucial to us all, it is unmatched. An important book.”—Greg Mortenson, author of Three Cups of Tea“Perhaps the foremost interpreter of Eastern disciplines for the contemporary West, Watts had the rare gift of ‘writing beautifully the unwritable.’”—Los Angeles Times“The wisdom of insecurity is not a way of evasion, but of carrying on wherever we happen to be stationed—carrying on, however, without imagining that the burden of the world, or even of the next moment, is ours. It is a philosophy not of nihilism but of the reality of the present—always remembering that to be of the present is to be, and candidly know ourselves to be, on the crest of a breaking wave.”—Philip Wheelwright, Arts and Letters “This book proposes a complete reversal of all ordinary thinking about the present state of man. The critical condition of the world compels us to face this problem: how is man to live in a world in which he can never be secure, deprived, as many are, of the consolations of religious belief? The author shows that this problem contains its own solution—that the highest happiness, the supreme spiritual insight and certitude are found only in our awareness that impermanence and insecurity are inescapable and inseparable from life. Written in a simple and lucid style, it is a timely message.”—Book Exchange (London)

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About the Author

Alan W. Watts, who held both a master’s degree in theology and a doctorate of divinity, is best remembered as an interpreter of Zen Buddhism in particular, and of Indian and Chinese philosophy in general. Standing apart, however, from sectarian membership, he has earned the reputation of being one of the most original and “unrutted” philosophers of the twentieth century. Watts was the author of some twenty books on the philosophy and psychology of religion that have been published in many languages throughout the world, including the bestselling The Way of Zen. An avid lecturer, Watts appeared regularly on the radio and hosted the popular television series, Eastern Wisdom and Modern Life, in the 1960s. He died in 1973.

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Product details

Paperback: 160 pages

Publisher: Vintage Books; 2nd edition (February 8, 2011)

Language: English

ISBN-10: 0307741206

ISBN-13: 978-0307741202

Product Dimensions:

5.2 x 0.5 x 7.9 inches

Shipping Weight: 5.6 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

436 customer reviews

Amazon Best Sellers Rank:

#4,419 in Books (See Top 100 in Books)

To sum this book up: Anxiety happens, it's unavoidable, there's nothing you can do about it - except realize there's nothing you can do about it so just relax and don't worry about it.

I know that had Alan Watts been live, and had he seen the title of this review, he would have possible stomped his foot on the ground or even slapped me into my senses while saying: "BUT THAT'S NOT THE POINT."And I understand why he would say that. I understood (albeit not perfectly) the message that he is trying to pass on. Watts is the most Eastern Westerner I know. His philosophies, particularly in this book, can lead into a metaphysical web that could leave you stuck indefinitely. At this same time, if you peel back the philosophical layers, which he helps you do at times, you will notice that the message, at its core, is always simple. He is begging the reader not to eliminate the ego, but to come to a full realization, a hyper awareness of sorts, that there is NO ego - that the ego, or the "I," is simply a figment of imagination. There is no method to achieve this hyper-awareness, no guide, no set of instructions, but only this imperative: "Look!"I may be just a tad bit too simplistic to fully grasp the significance of this, but I believe that at times I caught a glimpse of the implications of Watt's message. To live perfectly in the moment, to understand that the experience and the "experiencer" are one in the same just as a wave is not part of the ocean, but is the ocean, all of it - I can begin to fathom how one would be able to shed so much pretense and predispositions. Or not, I don't know.My personal opinion is that there are gems in this book, but as it is with all things, anything in excess is harmful. This book sells Eastern thought in its entirety, and I believe that no, Alan Watt's does not have the answer to the meaning of life (which he would probably agree to me saying) and I don't think you'll find in this book all the answers to your questions. It is a refreshing read though, at least it was for me. I really had to break down my mind, my prejudices, my perceptions and realize that my reality is truly the product of my own mind - and that I can change that, if I want to.In any case, a worthy read, but definitely not a book if you're looking for "10 Ways to Reduce Anxiety." It is rather an exhortation to awareness.

This is a delightfully fresh and direct book from Watts. I have been reading him on and off for the past 35+ years and this seems to me to be something of a breakthrough for/from him, really expressing a very clear experience of being in the moment. It is easy to read (large print, simple words), but the meaning is deep and profound, and he says it all in a way that is both clearly simple and yet playfully fresh. And he does this without a lot of cultural baggage (East or West), so making it especially powerful and approachable for modern readers (yet also remarkable in that he wrote this in 1951).Over and over he points out what is real (what we all know), and yet indescribable;"What is true and positive is too real and too living to be described, and to try to describe it is like putting red paint on a red rose." (p.76)"Indeed, every experience is in this sense new, and at every moment in our lives we are in the midst of the new and unknown. At this point you receive the experience without resisting it or naming it, and the whole sense of conflict between "I" and the present reality vanishes." (p.94)"The meaning of freedom can never be grasped by the divided mind. If I feel separate from my experience, and from the world, freedom will seem to be the extent to which I can push the world around, and fate the extent to which the world pushes me around. But to the whole mind there is no contrast of "I" and the world. There is just one process acting, and it does everything that happens.... No one fates and no one is being fated." (p. 122)And the way he finishes the book is perhaps best of all;"Discovering this the mind becomes whole; the split between I and me, man and the world, the ideal and the real, comes to an end. Paranoia, the mind beside itself, becomes metanoia, the mind with itself and so free from itself. Free from clutching at themselves the hands can handle; free from looking at themselves the eyes can see; free from trying to understand itself thought can think. In such feeling, seeing, and thinking life requires no future to complete itself nor explanation to justify itself. In this moment it is finished." (p. 152)And he could just as easily have said, in this moment it begins.

Maybe the single best Alan Watts book. If you get this book, and really get "It", and you will know if you really got "It", your search for "It" will be finished. For you will have realized that you are "It". Always have been, always will be.

I particularly love Watts when he was still a deeply thinking Christian. But all his books are great, especially for those of us who are interested in the real life of the spirit, but don't want to 'be' a Buddhist, a Christian or join anything.

Alan Watts writes a wonderful view of life. Touching on the understandings of Christianity and Zen Buddhism and how they approach the understanding of human life. Of particular interest to me was the philosophy of I and Me. Thinking about thinking is so fun too..... A book that is wonderful to understand nature and appreciate adventure in life inspirational. Dance like no one is watching and enjoy this book a wonderful read dont think too hard on it and its a fun insighful beautiful book some real key thoughts on leading a beautiful life.

Not sure how one can give a bad review to a book. If you did not like a book, it just means YOU did not like a book, it doesn't mean a book is bad. So... I did not like this book, because I just do not like and do not agree with ideas that author expressed in this book. It was neither inspirational, not educational for me. That, unfortunately, was the worst book I read last year. I saw no benefits in reading it. But... I know people who would love it, therefore, it was unregretfully gifted to a co-workers. Although book is not expensive, you may want to read some extracts from it, if you can find, before purchasing

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About the Author

CAMILLA D'ERRICO is a product of her early addiction to Saturday morning cartoons, comics, and manga. Her client list includes Dark Horse Comics, Image Comics, Random House, Tokyopop, Hasbro, Disney, Sanrio, and Neil Gaiman. Her own characters and properties, Tanpopo and the Helmetgirls, are international sensations, and her emotive paintings have propelled her to the top of the ranks of the New Contemporary art movement. In 2011 she was nominated for the Joe Shuster Award and the Will Eisner Award--the two most prestigious awards in comics. D'Errico lives in Vancouver. Visit her at www.CamillaDerrico.com.STEPHEN W. MARTIN is a screenwriter and story editor in film and comics. He lives in Vancouver.

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Excerpt. © Reprinted by permission. All rights reserved.

"Whenever I’m creating a new character, I always start with the eyes. You get all the emotion from the eyes; they are the gateway to the character’s soul. Eyes are the manga artist’s catchphrase or calling card. Next time you’re reading Naruto, Chobits, or even Vampire Knight—some of my personal favorites—take a look at the characters’ eyes and notice the differences in the style and execution. Each manga artist has a signature way of drawing eyes. My eyes are “circle eyes,” and that’s the style you’re about to learn. But I want you to take the steps I teach you and run with them, altering them to match your own style and your own characters’ personalities. Remember, it’s your signature, so have fun!"

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Product details

Paperback: 192 pages

Publisher: Watson-Guptill; 9.8.2013 edition (October 8, 2013)

Language: English

ISBN-10: 0307985504

ISBN-13: 978-0307985507

Product Dimensions:

8.5 x 0.6 x 10 inches

Shipping Weight: 1.7 pounds (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

105 customer reviews

Amazon Best Sellers Rank:

#55,943 in Books (See Top 100 in Books)

I wanted to incorporate some Manga elements into some of my cartooning, so I picked up this book along with four others. This seems like one of the best. A few pros/consPros:- To start with, the book is gorgeous. There's tons of color and great illustrations. The physical quality of the paper and the printing is excellent as well. You could almost leave it out as a coffee table book.- Strikes a good balance between starting at the beginning and talking down to the reader. Some of the books I've found (even beginner ones) assume skills that aren't really universal. Others seem to want to start by explaining what a pencil is. This one started at the beginning but was challenging.- There is a nice progression. The book takes you through various aspects of a finished drawing piece by piece, breaking it down in a very logical way.- Includes some very cool topics not really approached in other books. Specifically, non humans. It's nice to see them tie some drawing basics into something a lot of other books handle as almost "mysterious."- The drawings in this book seemed much more polished than those in some of the other books. It's hard to describe exactly what i mean, but in some of the others, the end product is more "cartoony" than I would have liked. Sort of a silly criticism to make of a book about Manga, but it's the best way I can describe the difference. A lot of other books have artwork that just seems flat.Cons:- I say this about every single drawing book, so I don't take stars off for it, but why can't they make these coil/spiral binds? Every single person using this book is going to want to have it open while they have their hands busy with the lesson they are working on at the time, why not set it up to lie flat. Just a pet peeve, but I'm hoping someday a publisher might notice (Pro tip: you can get things coil bound at fed ex kinko's for five bucks or so, well worth the frustration you'll save).- There was a lot of included artwork that, while gorgeous and interesting, wasn't really helpful to actually learning anything. I really enjoyed it, so I'm not taking stars off for it, but I could see someone feeling like the book wanders from the point a little.If you are interested in learning some Manga techniques, this book is an excellent choice.

This is a nice book! However, I have to say that I was expecting it to break down the steps to drawing figures, and other such anatomy better. I think this book is better suited for artists who already can draw bodies, poses, etc. and need a little bit more help tweaking those things into perfection. For example, there is a section on hair and the author gives you different hair styles to look at but never actually delves into how to draw them step by step. Otherwise, super pretty!

When it comes to art, I'm kinda like that lady that started in her 60's. (Only subtract about 20 years.) I didn't take any art classes in high school because I didn't think that I could draw. I have since learned different. The reason that I say this is because my primary study has been through internet videos and books. I was looking for a book that would really teach the basics of Manga. This book does that. This is the second book I have bought in the quest for a beginner's book and the first that worked in that capacity. The other was good but it really assumed too much. Camilla D'Errico's book doesn't make those same assumptions. The writing is witty and informative. The information on drawing hands is worth the price of the book all by itself. Unlike other artists, she loves drawing hands and makes it super easy to follow and learn. Usually when you have an art book reading it isn't really high on your list of things to do, but I suggest reading hers. It is pithy and friendly. She has this great little smart aleck character named Inku that gives tips and tricks throughout the book.I don't know what else to say to convince an individual this is worth the price. Note: there are some incredible stand alone illustrations of her drawings that just inspire. Thanks for reading.

I bought the paperback version and I enjoy learning from it. I love the colors in it. Camilla does a great job providing variety of hairstyles, face shapes, eyes, and poses. There is also a section that teaches you how to draw "chibi" characters and manga animals. I have attempted to learn how to draw anime online and youtube videos, but failed every time. I finally decided to buy an manga learning book and I'm glad I chose this one.

Always love Camilla's art books. This book is full of my favorite artworks. There is a lot of detailed step by step pictures of how to draw each element, body parts. Really useful on perspectives. When you view body parts from a slanted view, that is really helpful. Everything shown in detail. This makes me appreciate her art more!. Even if you are not an artist or trying to learn how to draw, it can help you to understand what it takes to make art and appreciate it more. I wish she can make a part 2 of this book with even more artworks and explainations , especially of the kawaii art like the Hello Kitty one, and the Princess Jedi one. Just love!

I just love Camilla d'Errico's art work. To me she is one of the best non Japanese anime artist out there. And the fact that there is a book that teaches you how to draw and gives you tips on how to improve is simply amazing. Having a bit of art skills and understanding will really help to use and understand this book/

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About the Author

The experts at The Princeton Review have been helping students, parents, and educators achieve the best results at every stage of the education process since 1981. In addition to helping millions succeed on standardized tests, The Princeton Review provides expert advice and instruction to help parents, teachers, students, and schools navigate the complexities of school admission. Along with classroom courses in over 40 states and 20 countries, The Princeton Review also offers online and school-based courses, one-to-one and small-group tutoring, and online services in both admission counseling and academic homework help.

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Product details

Series: College Test Preparation

Paperback: 656 pages

Publisher: Princeton Review; 2019 Edition edition (August 7, 2018)

Language: English

ISBN-10: 1524758116

ISBN-13: 978-1524758110

Product Dimensions:

8.4 x 1.6 x 10.8 inches

Shipping Weight: 2.3 pounds (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

13 customer reviews

Amazon Best Sellers Rank:

#6,288 in Books (See Top 100 in Books)

Errors in the book:On page 119, example number 5 refers to additional information from example number 3. However when solving the problem, it lists the length of the track as 500m instead of 400m, changing the average speed to 5.128 m/s. The magnitude of the average velocity should remain the same.On page 132, in the second paragraph, the first equation given is v(t) = -10 + 30. Instead it should be v(t) = -10t + 30.I will keep this post updated until I finish the book.

This was a mediocre review book. I found that a lot of problems were the exact ones from the Physics 1 book, which I don't blame since half of Physics C consists of the same material as AP 1 (mechanics), but since it's a different book, they should work to add different problems. And because much of the content was similarly explained as the Physics 1 book, the practice FRQ problems at the end of each chapter was when they added the typical examples on the AP C exam. Nonetheless, content explanations were clear and understandable. Also, I found several errors in the book. There was even one silly error where the questions described a track being 400 m and while explaining the answer it referred to the track as 500 m.I remember studying for the AP1 exam using the Princeton book and I know it helped me score 1 point higher on the AP test so I highly recommend that book. This one though, is a good book if you haven't used the Physics 1 yet. I gave this four stars because this book is still a great tool for solidifying/strengthening your knowledge for preparing for the exam. If you finish reading and working the problems in this book from start to finish, I assure you that you will be able to score at least a point higher than you would have--that's how good this book covers the material. I have tried 5 Steps to a 5 review book, but the Princeton one beats it by a landslide.

very good prep book

good product

Lots of blatant errors in their question and answer section..Answers given do not agree with the explanations. Maybe try a different review book

good

Great!

Really good, but has a lot of errors...

Cracking the AP Physics C Exam, 2019 Edition: Practice Tests & Proven Techniques to Help You Score a 5 (College Test Preparation) PDF
Cracking the AP Physics C Exam, 2019 Edition: Practice Tests & Proven Techniques to Help You Score a 5 (College Test Preparation) EPub
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Cracking the AP Physics C Exam, 2019 Edition: Practice Tests & Proven Techniques to Help You Score a 5 (College Test Preparation) PDF

Cracking the AP Physics C Exam, 2019 Edition: Practice Tests & Proven Techniques to Help You Score a 5 (College Test Preparation) PDF

Cracking the AP Physics C Exam, 2019 Edition: Practice Tests & Proven Techniques to Help You Score a 5 (College Test Preparation) PDF

Cracking the AP Physics C Exam, 2019 Edition: Practice Tests & Proven Techniques to Help You Score a 5 (College Test Preparation) PDF